This Moment: Lucas-Made Anklet
Inspired by SouleMama {this moment} – A Friday ritual. A single photo – no words – capturing a moment from the week. A simple, special, extraordinary moment. A moment I want to pause, savor and remember.
Inspired by SouleMama {this moment} – A Friday ritual. A single photo – no words – capturing a moment from the week. A simple, special, extraordinary moment. A moment I want to pause, savor and remember.
(painting by Lucas, second grade)
Look to this day,
For it is life,
The very life of life.
In its brief course lie all
The realities and verities of existence,
The bliss of growth,
The splendor of action,
The glory of power—
For yesterday is but a dream,
And tomorrow is only a vision,
But today, well lived,
Makes every yesterday a dream of happiness
And every tomorrow a vision of hope.
—Sanskrit proverb
We parents are sometimes allowed to sleep until 7:30 a.m. It has been happening more often lately, especially after a particular recent blowup over the unneccessary waking of Daddy at 5:30 a.m., which seems to have made a difference. Some mornings we wake to find our boys peacefully looking at books on the living-room couch. Other mornings we wake to hear them fighting over something that they both want. We were just telling some friends that lately, more often than not, our mornings have been gentler.
This morning, there was too much excitement in the air. Asher marched around the house shouting, “Wake up! Wake up! Wake up! Wake UP!” Lucas was a little subtler, quietly saying, “Oh my! Look what the Tomato Fairy has brought us!” He had to repeat it a few times before his sleepy parents clued in.
We came out to the kitchen to find this bounty, this glorious Lughnasadh gift from the Tomato Fairy. (I had no idea there was such a fairy! Imagine my surprise!) There on green and yellow silks rested gorgeous tomatoes from Lucas’s garden, harvested at their peak in the early morning stillness. A little note from the Tomato Fairy reads, “For The Wilson 18 tamatoo.” I’ve never seen anything cuter.
A few of these were eaten with breakfast, then I took the rest outside where the light was better. My little 8-year-old gardener is pleased as punch. Now I’m on the hunt for the perfect dinner recipe for these beauties.
Happy First Fruits!
Lucas is pretty sure that these chickens are meant to be lap chickens—at least Midnight.
Avalanche and Snowdrift graze in the backyard. The hens are enjoying morning and evening ranging hours. Alas, they are displacing the mulch in my flowerbeds a lot. I’m wondering if I could coax them to the school field two doors down and back again (but I would be afraid of off-leash dogs).
Lucas’s garden is about to overwhelm us with juicy red tomatoes. Just this week they are turning red.
A magical moment at Sacramento Waldorf School just before the summer camp play began. The oak tree at the Oak Stage is magnificent.
A backyard visitor graciously paused for my photo. I’m pretty stoked about this shot.
Evening picnics on the lawn are fun. There’s a bit of sandwich-eating, a bit of snuggling, a bit of wrestling, a bit of coaxing the hens to eat out of our hands, and …
… a good bit of airplane rides with Daddy.
The Wicked Kings of Bloon is written and illustrated by Steven Kellogg and is copyrighted 1970. Kellogg is the author and/or illustrator of many books for kids, as you can see on his website, including Is Your Mama A Llama by Deborah Guarino, a favorite in our house. As you can see, I have had Bloon since I was young enough not to realize that I shouldn’t be writing “Scool Book” on my books. My hardback copy was purchased for $1.00 probably about 1975, but that’s really just a guess.
Kellogg’s artwork is amazing—rich and colorful, textured and emotional. To my eye, it appears to be both watercolors and colored pencils.
The story contains several morals, the main one being that war is wrong and doesn’t make anyone happier.
“Bloon is a summer land of warm golden fields and tiny villages. The gentle folk who lived there spend their days walking through the flowers, telling silly stories, and snoozing in the sun.”
The citizens of East Bloon are happy, simple people living in a bucolic world near the Land of Monsters, but that isn’t a problem for them at all …
… until “the meanest hag of them all,” Hepzibah, raises her twin sons, Horridge and Heathfern, to despise one another. See how wicked she is? She’s about to mow down that flower!
“‘HORRRRRRRRIDGE! Horridge, you little wretch, why can’t you do anything right? Why can’t you be like Heathfern?'”
“‘HEATHFERN, you ugly beast, why are you so clumsy and awful? Why can’t you do anything right? Why can’t you be like Horridge?'”
That would do it, don’t you think?
By the time the boys were twenty, they had flattened their miserable shack with their fighting and Hepzibah kicked them out. “‘I hate you,’ hissed Horridge. ‘I’ll get you,’ spat Heathfern.”
Horridge left the Land of Monsters and came to the peaceful village of East Bloon, “where he found the happy villagers giggling, tickling each other, and dancing around the square.” Horridge decided he wanted to be king of East Bloon, so he threatened the villagers. “‘Unless you make me your king, I will topple the tower of your town hall at dawn tomorrow!'” And with the help of a powerful magnet, he did. The villagers, not knowing what else to do, made him their king and brought him all of their precious treasures.
Horridge grew fat from eating all day and all night. “He insulted the ladies. He punched the village elders. He threw things at the members of his court. And still he was not happy.” One day, he spied through his spyglass the friendly neighboring village of West Bloon, only there was a fat, horrible king looking back at him. Heathfern! “‘EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE-YOG!’ shrieked Horridge.” And the once-peaceful village of East Bloon began to prepare for war. “The last whisper of joy went out of life in East Bloon.”
Horridge went to the Land of Monsters and enslaved a giant, cuddly monster, wrenching him away from the arms of his beloved, to be a beast of war. “For days, the gentle creature lay in chains grieving for his mate in the mountain cave while the court blacksmiths scurried about measuring him for a suit of armor.”
In time, the fateful day of battle came. Soldiers from both East Bloon and West Bloon marched out of their fortified cities. “‘Smash them! Smash them! Bash them! Crush them!’ bellowed the kings.” The war beast of East Bloon lumbered forward, until he recognized his beloved, covered tip to toe in armor of her(?) own to fight on the side of West Bloon.
“Crying out for joy, the two happy animals toppled their riders, tore off their metal plates, and fell gurgling into each other’s arms.” This was the wake-up call that the villagers needed. They whispered and conferred among themselves, and then dethroned the kings Horridge and Heathfern, in favor of a peaceful United Kingdom of Bloon.
The trappings of war were thrown off and demolished. “The East Bloon band broke into a joyous tune and the armies flung themselves into a rousing polka.” Since the brothers could not put aside their differences and join the villagers in a peaceful life …
… the villagers sent them flying …
… right back to their hag mother.
This is the first book I can remember tackling the idea of war. That these gentle people could be convinced by bullies to abandon their happy pursuits and go to war really bothered me. I used to wonder why Hepzibah was so cruel, and how anyone could think parting those two gentle creatures was OK. I guess the story is a product of its time and it was very powerful to me.
I pulled this book out last week and read it to my boys for the first time. Lucas was appropriately aghast at the behavior displayed by Hepzibah, Horridge, and Heathfern. So, I’d say the book is still doing its job.
This summer I’ve worked on another bunch of clam diggers for Asher, more because I need the sewing practice than he needs the pants. I’m now working on the fifth pair, every once in a blue moon. If I had a solid free hour, I’d finish them. Here are two pairs that are done. I made a golden pair with yellow stars, too. Too bad “lellow” isn’t his favorite color anymore.
We match colorful pants/clam diggers/shorts with tees like these to make the perfect play clothes for little boys. But aren’t all clothes play clothes when you’re little?
Some blessings for counting:
My mama, who knits (generously and prolifically) very practical and beautiful things like sweaters, socks, baby blankets, and scarves, asked me, “So, what’s with all the knitted animals?” My answer is, “Because they’re small and cute and fast, and I can justify making them because I have kids (even though my kids don’t play with them). Moreover, I’m practicing simple/basic knitting skills like increasing and decreasing, following a pattern, and counting. Prerequisite skills for knitting anything that might be worn by someone.
In the case of this pony, the pattern (from Toymaking with Children by Freya Jaffke) was just slightly different from the donkey I knitted in June, so I was curious about that. I had the rainbow wool yarn from a felting project I did a couple of years ago. So, why not? Haven’t you always wanted a rainbow pony? I have!
This 6 1/2 inch by 8 1/4 inch copy of Cinderella has been mine for as long as I can remember. I think it belonged to my father before me. It’s a Wonder Books edition retold by Evelyn Andreas with illustrations by Ruth Ives, copyright 1954. The title page and inside front cover are decorated with “letters” drawn in blue ballpoint ink—probably they are my handiwork, but possibly my father’s.
I can remember poring over this book for hours as a girl. I was fascinated by the rich, velvety illustrations, which were different from the prevailing and still ubiquitous Disney Cinderella images. I used to wonder what exactly made the stepsisters look ugly.
Also, I used to try to decide who was more beautiful—Cinderella or her fairy godmother, with her green chiffon gown and tiny ankles. The fairy’s yellow hair and wings were captivating.
Even the horses were beautiful, and I was a big fan of horses—especially magical white ones.
But the piece de resistance, to my young heart, was the golden gown of silk that Cinderella wore. She is so glamorous and dainty.
Of course, the Prince falls madly in love with her, forsaking all of his other guests at the ball. “Indeed, Cinderella and the Prince were the handsomest couple on the dance floor. And the Prince never left Cinderella’s side.”
Cinderella flees at the first note of twelve midnight, but it is too late. The coach, footmen, and horses vanish and she walks home alone. (The little rock was holding the book open for me.)
The Prince himself goes door to door looking for his beloved, and although they try, Cinderella’s stepsisters cannot fit the sole glass slipper Cinderella had left behind on the palace steps. Cinderella shyly asks to try the slipper on. I am glad she asks for herself.
I used to gaze at this illustration a lot, too. The page begins with “A great wedding was held.” Why don’t we get to see the wedding, I wondered. How genteel that they are dining in the woods, except—they have no food. They are completely absorbed in each other. This was what “happily ever after” meant to me.
The inside back cover advertises over 150 wonderful Wonder Books, with washable covers and “new, long-life binding.” The binding on my book holding up pretty well; the spine is broken, however, and I can see the stitching. The book’s price when new was 29¢. I think whoever bought this book would be pleased. We got our money’s worth, I think.