The Solstice either was yesterday or is today, depending on where you live and how you figure it. We decided to celebrate last night, at the end of the shortest day.

I spent some wonderful alone time yesterday morning making jam from persimmons that my friend G gave to me. They were so ripe and delicious, and made amazing cookies too a few days ago. The boys were in school and I had the house to myself.

I also got to have lunch out with my dear friend, NoNo, which was wonderful. As usual, I dreamed up a little Solstice celebration for our family at the last minute.

Best laid plans of mice and mommies. I was going to have the kids help me make this giant sun cookie for dessert, but I ended up doing it alone. While my children were outside enjoying the last hour of sunshine, they came across a cute little dog wandering on his own at the local school. None of the nearby people claimed him, and when my children walked home, he followed.

He is a handsome fellow.

Frankly, everyone is perfectly smitten with this dog. He seems young and spry, but doesn’t nip or crew or mouth. He is well behaved. I sent Ian and the boys right out to see if they could find the owners, but they came home without having any luck. This is why I made the sun cookie alone. (The recipe is from Mel’s Kitchen Cafe here, and I used Reese’s peanut butter chips and Reese’s pieces candies to mosaic a face. It came out perfectly.)

See the star? Neat, huh? Ian made red beans and rice for dinner and we had sunshiny oranges and sun-shaped squash with our salad. We ate by candlelight on the floor by the fire.

After dinner, Ian took the dog to the local vet to see if there was a microchip that would tell us where he belongs. No chip. Today we put up flyers around the area and have talked to a bunch of our neighbors. So far, we haven’t found his home. This little dog is so nice, I’m sure someone somewhere is missing him. In the meantime, the boys and Ian have fallen in love with him. It feels like everyone is hoping we will keep this dog. Lucas wants to name him Solstice, which is a big name for a little dog. And yes, I am allergic to him.

“Moonlit Night. Winter” 1913. Oil on canvas. Konstantin Alekseevich Korovin. The Tretyakov Gallery, Moscow, Russia.

Midwinter’s Eve

In the darkness of the winter
In the stillness of the night
We are searching the horizon
For the first rays of light

The owl flies by in silence
As the fox lifts up an ear
To hear the North wind cry out
At the birth of the new year

Though the earth below is frozen
Search beneath for hidden spring
Cup your hands
Drink the water
In communion with all things
—Claudia Chapman

May all be warm and merry on this Solstice night. May we find the light within each other and ourselves. Blessed be.

This is my mantel for Christmas. Although I don’t buy new decorations every year, I do try to think of new ways to display them. I’m pretty happy with this one; it’s simple and sweet and repurposes some old items in a new way. In front of this hearth is where my children draw and play with Legos nearly every day.

I used an old store-bought (plastic?) garland of “greenery” and added our collection of Waldorf woolen angels. I think we’ve received one wool angel per year for the last six years or so. They didn’t go up on our tree this year because our tree is smaller than usual. But I couldn’t not put them out. I think they look terrific in a group this way.

I indulged in buying one new Christmas decoration this year: a box of 15 straw star ornaments for $7.99. I adore them. They are so intricate and pretty, and look just right here.

The truth is I have materials for making such straw star ornaments, which are a traditional German Christmas decoration, but I haven’t had time to sit down and try to figure out how. I have a package of natural color straw and red straw. I have gold thread and red thread for tying off intersections in the stars. I secretly hope to have a few free hours to play with this, however, I admit I’m doubting I will. It looks really hard to me.

This is the nativity scene that my grandmother bought me about ten years ago. It’s porcelain and fancy and very colorful and, although I never would have bought it,  I love it. Each year when I unwrap it, I say a silent prayer and hope that we don’t accidentally break it. After Christmas I carefully pack it back into the original box in the hopes that it will be safe another year. It is sitting on a cloth I wove myself.

These are my “Waldorf” resin angels. I bought them at a craft fair a few years back for $6 each. I call them Waldorf because they are faceless. In the vase are dried daylily stems from my garden. I collect them as they dry out because they’re interesting to me and I’m always trying to use found natural items in my crafting. Ian thinks I’m nuts because I save these, especially as I usually don’t have any idea how I’m going to use them. The group on the right is still merely rubberbanded together. I like that they are so tall and so bleached out.

Today I saw a blog with the most amazing Christmas decorations I have ever seen. The home that was featured was so exquisitely beautiful it looked like a whole team of stylists were on staff full-time and that no one lived there at all. There wasn’t a single item out of place or bit of evidence that a child even walked through. It was glitzy and glamorous and completely soulless. It also looked like entire villages of people could be fed for months on what was spent to decorate that home, and that realization made me feel rather ill. Frankly, it was obscene—a word I don’t use lightly. That display of wealth and glitter made me feel so weird and conflicted that I almost didn’t write this post about my nifty mantel that I hodgepodged together. I mean, isn’t this the same kind of thing on a “poor-girl” scale?

Aesthetics are highly individual. Surrounding ourselves with art and beauty is one of the pleasures of life. Doing so lifts my spirits and helps me to feel like I’m raising children in a happy, intentional home. The creation of and appreciation for art is a celebration of our humanness, one of the crowning jewels of humanity. I don’t need or desire to be judgmental about the way that other people express themselves. I just know that if I had that kind of money, I wouldn’t be using it that way. I’d be feeding people.

I don’t own this little treasure, Fletcher and the Falling Leaves, by Julia Rawlinson, but I will someday. This sweet book is one I discovered because I enjoy the illustrations of Tiphanie Beeke, who illustrated The Stars Will Still Shine, by Cynthia Rylant, a book I wrote about a while ago here.

Rawlinson has created a touching story of a little fox named Fletcher (Ferdie in the UK) who has a favorite tree. When the autumn weather comes and the tree begins to lose leaves, Fletcher becomes worried and tries to help his friend keep its leaves.

Each day, more and more leaves turn brown and flutter down to the ground.

This painting is marvelous, full of movement and emotion. This is rather what winter looks like to me, as we get no snow where we live. The autumn leaves hang onto the trees well into December until eventually the winds and the rains knock them off. Then everything becomes muted browns and soft greens and foggy grays.

Fletcher even tries to get the friendly birds to put the leaves back on the tree.

When all the leaves have fallen off, Fletcher feels that he has failed his friend.

The next morning he discovers his tree covered with silver icicles.  Winter has arrived and it’s breathtaking. “’You are more beautiful than ever,’ whispered Fletcher. ‘But are you all right?’
‘A tiny breeze shivered the branches, making a sound like laughter, and in the light of the rising sun, the sparkling branches nodded.’

Fletcher’s naive experience of the turning of the seasons is moving. He makes discoveries in nature with a childlike wonder that is ever so appealing. Paired with Beeke’s evocative illustrations, Rawlinson’s book is pure delight. I see that Rawlinson has written two other Fletcher stories as well: Fletcher and the Snowflake Christmas and Fletcher and the Springtime Blossoms. Both are also illustrated by Beeke.

My Winter Book Recommendations

It’s a domestic arts day. The rye bread dough is rising. Next I’m moving on to the cookies. My friend G gave me persimmons this week and they are beautifully ripe and squishy. So I’m making persimmon cookies to share with friends this evening. I get to spend some time with some of my favorite women in the world tonight to mark a momentous occasion, make some magic, and have a feast together. My heart is full today of memories of wild nights in the woods and adventure, and also of quiet moments in the kitchen with a beautiful mentor. I’ve lit my baking candle and it’s glowing near the dough to warm and encourage the yeastie-beasties to make their happy bubbles, just like she taught me to do.

My boys are out right now, buying supplies for the elving they are doing. They have big, manly plans for working in the garage and I’m told I must keep to myself today, lest I ruin my surprise. This feels just right to me today. My heart is full of my women near and far, and I cannot wait to be surrounded by them tonight. It’s been too long.

It’s Santa Lucia Day today. My stjärngossar (star boys) helped me make Lussekatter (Santa Lucia buns) last night.

It worked well to have them help mix the dough, then later form the buns before bedtime.

Aren’t they pretty? I should have been more liberal with the egg yolk wash over the top and I should have had my oven a little cooler. I don’t do this kind of baking very often because if I did I would EAT all the buns. This year we used the “traditional Lucia buns” recipe that our kids’ Waldorf school provided. It worked beautifully. I used a bit of saffron, which may have been too old to color the dough much, and some cardamom as well for some kick. I didn’t have raisins on hand so we used dried currants instead.

2 packages active dry yeast
1/2 c warm water (about 110 degrees F)
1 1/2 c warm milk
1 c sugar
3/4 c butter, softened and cut into pieces
1 egg
3/4 teaspoon salt
1/4 teaspoon saffron (or use 1 1/2 teaspoon ground cardamom and 1 teaspoon grated orange peel)
about 7 1/2 c all-purpose flour
about 1/2 c raisins (or currants)
2 egg yolks mixed with 1 1/2 tablespoons of water

In a large bowl combine yeast and water; let stand 5 minutes. Warm the milk and add the saffron to it. Blend in the milk, saffron, sugar, butter, egg, and salt. Stir in about 6 1/2 cups of flour to form a stiff dough. Turn dough onto a lightly floured surface and knead until smooth and elastic. Add flour as needed. Place dough into greased bowl and then turn over. Allow to rise in a warm place 1 hour, until doubled in size. Punch dough down, knead lightly again. Pinch off balls of dough about 1 1/2 inches in diameter and roll into a rope about 10 inches long. Curl ropes into S-shapes or into double S-shapes to make a curved cross. Put raisins into the centers of the curls. Cover and let rise about 1/2 hour, until almost double. Brush well with yolk and water mixture. Bake at 400 degrees for 10 minutes. Check often.

I also made this beautiful braided loaf. I don’t know if I have ever made anything like this before and I am so pleased with how it turned out. Next time I think I’ll turn down the oven just a tad and bake only about 22 minutes.

This morning, for Santa Lucia, I warmed the braided bread loaf and put candles in it. I drizzled a bit of powdered sugar glaze over the top and it was yummy! The kids took some Lussekatter buns to school for their teachers. And I had my dad over this morning for coffee and some bread. Then I indulged in watching several YouTube videos of Lucia festivals in Sweden. I love the music.

The night goes with heavy steps
around farm and cottage;
round the earth the sun has forsaken,
the shadows are brooding.
There in our darkened house,
stands with lighted candles
Saint Lucia, Saint Lucia.

The night passes, large and mute
now one hears wings
in every silent room
whispers as if from wings.
See, on our threshold stands
white-clad with candles in her hair
Saint Lucia, Saint Lucia.

The darkness shall soon depart
from the earth’s valleys
then she speaks
a wonderful word to us.
The day shall be born anew
Rising from the rosy sky.
Saint Lucia, Saint Lucia.

Carl Larsson, “Lucia Morning”

I admit I love these lesser known (at least to us) holidays. Our family can celebrate them or not, as we like and as our lives and time permit. We can make them what we wish because there aren’t loads of people whose needs have to be considered, nor are there decades of family tradition to hold to or break, with all the accompanying risk that goes with breaking it. We don’t hurt anyone’s feelings by doing our own thing because no one in our extended families celebrates holidays like Saint Nicholas Day or Santa Lucia Day or Candlemas or Saint Patrick’s Day. With just a little effort I can make otherwise ordinary days special for my children, just by choosing to celebrate. And these holidays don’t require a month or more to get ready, the way that Christmas does. So these festivals will be a part of our family until they no longer serve us and enrich our lives in this way. For now, we’re are enjoying them very much.

Asher is sick today with a cold. I apologize to everyone he came into contact with over the last two days; I hope we haven’t gotten anyone sick. He had a rough night last in our bed, which means none of us slept well. I confess I find it hard to be a compassionate mother in the middle of the night when a thrashing child is alternately pawing at me and randomly punching my face.

But look at him. He looks tired and sad. Today we’re taking it easy. I went out this morning into my backyard and gathered up all the spare pieces of wood I could find. These are all the sticks my kids find and bring home, bits of home carpentry projects, bits that fall off our trees in winds, etc. These are the pieces of wood my kids bash each other with at every chance they get—swords, knives, spears, scimitars, poleaxes—you get the picture. Then I lit a fire for Asher and me.

Unfortunately, this novel entertainment will end soon, as we will rapidly run out of wood to burn.

So we are playing LEGO by the fire, while it lasts. Asher is telling me about Earthland, and his pet dragon, and pontificating about what color of fire is the most dangerous—blue, in case you didn’t know. I expect we’ll spend a good part of the rest of the day on the couch.

He tells me I should build ships that do better things than science vessels. Apparently my science vessels are boring.

The second light of Advent is the light of plants,
Plants that reach up to the sun and in the breezes dance.

Yes, this is how we began the second week of Advent last Sunday. We drove up to Apple Hill to a Christmas tree farm and roamed about for a while. It had been several years of not enough time or good weather to do this family tradition, so we felt it was time.

The boys enjoyed combing the hillside, and of course, had to go to the very tippy top of the mountain. Asher felt like he was in the woods. That is really an unbeatable feeling when you’re a kid, to feel way out away from civilization and wander among the trees. Most of these trees were pretty young, but it worked fine for little Asher.

When we finally found the perfect tree, Lucas did the cutting.

I snapped this photo because I just couldn’t get over how blue this silver fir tree was.

I conned them into posing for pictures, but only got the super silly kind. That’s OK, though. I think I love those the best. I love to see them having fun.

We stopped at Boa Vista Orchards for a lunch of burgers and some produce shopping. We bought the juiciest Asian pears ever. We picked up an apple blueberry pie to take home, too. Daddy felt that a pie baking in the oven would be the perfect compliment to tree decorating. I think he was right.

We played Christmas lounge music and covered the little tree with shiny ornaments, red ornaments, and stars. There are lots of ornaments left over this year because this Christmas tree is smaller than usual. I’m thinking up other ways to use them. (I admit I really adore ornaments.)

We think it’s lovely.

In mid-November I went back to my painting class after a two month hiatus. I had to earn some dough before I could return to class. In the time that I was away from it, my stress levels soared, I got depressed, and things looked bleak. I’m not saying all of this was related to not painting—there was plenty of other stuff going on. But I remember thinking during all of that, I just want to paint. I yearned for it. I decided for the sake of my mental health that continuing my classes was good for me.

And it is. I’m now three more classes in and I’m still loving it. This is a series of three paintings of a copper kettle. The first was the black and white one above. We were instructed to use only Payne’s gray and white. The point of the study was to focus only on value and not on color. I have a lot to learn about this, but value is the relationship of dark and light. With the two paint colors I mixed a middle gray, then a light gray and a dark gray.

Modern Color Wheel from My Class

Goethe’s Color Wheel (for Fun and Because It’s Pretty)

After Thanksgiving we were given a new exercise: Paint the same subject in basically the same position on the same background using complementary colors, which are opposite on the color wheel. When mixed in equal proportions, they should create a neutral gray. I’ve learned that in painting “gray” is not so specific a shade as it is in my mind. There are lots of grays and, well, isn’t that wonderful?

This second study above was painted with a blue-green and a red-orange. All the colors you see were mixed from those two and then tinted with white to ultimately fill my palette with 15 different colors. My kettle wasn’t in the exact same position as in the first study, but the effect is the same. (I just noticed there is a diagonal shadow in the bottom right corner of these photos. That’s not in the painting; it’s in my window and the photographs.)

This one is last night’s study: same kettle, different exercise. The point of this study was to use three colors from the color wheel, a triad. (A color scheme in which three colors of equidistant distribution on the color wheel are used, e.g., red, blue, and yellow.) We could pick any three, so long as they had the right relationship to each other. I chose green, orange, and violet. I mixed and mixed these three colors and then tinted with white to get roughly 17 colors on my palette. Just doing this was awesome. I also had three goals in mind when I was painting this third kettle study: 1) paint a little faster, 2) paint thicker (use more paint), and 3) take more risks.

Now, this copper kettle isn’t exactly the thing I want to have a painting of in my home, much less three paintings. But this was a fascinating exercise and I’m so glad I did this. I have a much greater appreciation for color and mixing than ever before. Also, I no longer feel that every painting has to prove anything. The doing of it was the thing.

Kind old man Saint Nicholas, dear,
Come into our house this year.
Here’s some straw and here’s some hay
For your little donkey gray.

Pray put something into my shoe;
I’ve been good the whole year through.
Kind old man Saint Nicholas dear,
Come into our house this year.

I’m feeling so grateful for all the amazing, creative support we have received over the years and continue to receive from our Waldorf school, especially with regard to festivals. Today, when I picked him up from school, my 4.5-year-old son Asher was clutching a small handful of hay (tied neatly with a piece of yarn) to give to Saint Nicholas’s donkey. Honestly, I don’t know if I’ve ever seen anything cuter than my little guy, manfully carrying his lunch box and water bottle at the end of a long day, with this little bit of hay in his fist.

I’m actually (blissfully) ready for Saint Nicholas’s Day this year. This is not always the case, I assure you! In years past, Nicholas has come to our house on December 7. But this year I’ve got goodies for my dovies’ shoes all ready. I also have this handsome Saint Nicholas that I made last year. Today I put out a pretty display and asked Asher who it was. “Saint Nicholas!” he said with that special sophistication that only a younger sibling can have.

The other reason I’m feeling gratful—at the moment—is because I just spent a half hour going through two giant binders full of Waldorf materials that I’ve been given and gathered over the last eight years to pull out more Advent poems, Saint Nicholas stories, Santa Lucia recipes and more. These festivals have enriched my children’s lives—and mine—so much, even though they mean extra work and extra mindfulness. I have a deep love for any holiday that includes magic that happens in the dark of night, to be revealed only by the light of the dawn—to the delight of my whole family. In our home, many holidays involve this kind of nighttime miracle.

And so, we will see what happens tomorrow morning, after the shoes have been polished and placed neatly by the front door. We’ll leave out our carrot and that sweet clutch of hay for Saint Nicholas’s donkey in the hopes that they will visit us in the night and decide that we’ve been good—good enough, perhaps, for a treat or two.